The reissue set, out November 5th, will include both albums, while the third disc will feature outtakes, alternate versions, and unreleased music from the studio sessions that produced both records. It’s tied to Radiohead’s upcoming Kid A Mnesia reissue to mark the respective 20th and 21st anniversaries of Kid A and Amnesiac. The project was announced at Sony’s PlayStation Showcase Thursday, September 9th, along with a short teaser. The official description doesn’t shine any more light, but it certainly is trippy: It’s billed as an “upside-down digital/analog universe” based on Thom Yorke and Stanley Donwood’s original artwork and featuring audio design by Nigel Godrich. It’s unclear what, exactly, the project is, but that’s par for the course for the experimental band. What we have made is… it’s something like a mutant re-engineering of Kid A and Amnesiac.Radiohead have teased a new digital project dubbed Kid A Mnesia Exhibition, which will be released on PlayStation 5, Mac, and PC this November. This ain’t ever gonna happen’Īnd the other shoulder sat another saying ‘Oh yes. Unreal in every sense of the word, especially within the months of almost total human isolation.Ī small Minotaur sat on one shoulder saying ‘This is too mad. Working on something as strange as this over long Zoom calls with a large team of technicians all around the world has been one of the strangest experiences we have ever had. We worked with Sean Evans, a genius video/computer artist who directed it all with awe inspiring dedication and energy, theatre set designer Christine Jones and the game developers and Arbitrarily Good Productions.Īnd finally persuading Epic Games to help us put it out to the world.Įverything that we built came directly from what we made 20 years ago, in one way or another.Īnd we had all the multitrack recordings from the albums so we were able to rebuild the audio from the original elements in a new controlled space which wasn’t just stereo. With Nigel Godrich we have been working on this for about two years, through lockdowns, self-isolations and many very long intermittent Zoom calls. It would be way better if it didn’t actually exist.īecause then it didn’t have to conform to any normal rules of an exhibition. So we changed location – now it would look as if it had crashed into the side of the Royal Albert Hall.īut Westminster council didn’t like the idea one little bit.Īnd then Covid delivered the final annihilation. And then – being constructed from shipping containers – we could ship it around the world… New York, Tokyo, Paris…īut then we couldn’t fit it at the Victoria & Albert without parts of the museum building collapsing. This astounding steel carapace would be inserted into the urban fabric of London like an ice pick into Trotsky. It was going to be a huge red construction made by welding shipping containers together, constructed so that it looked as if a brutalist spacecraft had crash-landed into the classical architecture of the Victoria & Albert Museum in Kensington. To start with, when we first started thinking about it, we intended to build a physical exhibition/installation in a central London location. To mark a period of 21 years since the expulsion of Kid A and Amnesiac from a converted barn in the Oxfordshire countryside into an unsuspecting world we’ve built… something.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |